![]() Under Amplifier (bottom element of the Group Editor pane) over on the right there's a dropdown tells you what bus it's routed to (eg Output Bus 1). In the Group Editor pane, select the group you want to 'route', in the below example Im looking at Kick 1 group. ![]() If you click the spanner top left, de-select S cript Editor to hide that pane. ![]() Kick routed to Bus 1, Snares Bus 2, Hats Bus 3 etc. I don't have any of the Abbey Road series on this computer currently, but I've got NI's Drum Lab, so I guess the theory should apply the same as AR libs are constructed coherently. To get sounds out of Kontakt you need them to be grouped and bussed so you can route out (It helps to setup additional Outputs before you begin). Using Kontakt won't necessarily make the samples sound better, but it will make your life easier in this case. If you like the Drum Rack, just stick with that. It's up to you.Īt the end of the day, it's all about the workflow, because the sound of the samples won't be affected much (if at all). (That's what I like about Samples from Mars, they've done all the hard work for you). You could technically build a Drum Rack that does everything the Kontakt version does, meaning having a macro to tune the drums, to change the filter settings, to change the velocity… It's honestly not that difficult to map macros to individual settings. It's all set up, you can see all the options, it's quicker to define your sound… If you're starting, I'd suggest using the Kontakt version. Now, to answer your question: it seems Past to Future provides the raw WAV files (where you have to figure out yourself how to use them) and the Kontakt libraries, where everything is already set up. Typically, that plugin chain consists of a Simpler (which is a sampler). each MIDI note trigger its own plugin chain). Of course, Drum Rack is at its core a device that splits a single MIDI input into multiple outputs (i.e. Some like Maschine because they have the hardware. I personally like to use the Drum Rack because I've got a Push and it integrates well with Ableton. But that depends on how the rack or library was set up by Sample from Mars (or Past to Future in this case). Now it's possible that some version provide more options (envelope, settings, tuning, gate settings, velocity, effects…). The only difference is how do you trigger those files? There are differences between all version, but in the end, it's all simply a collection of WAV files. Unlike what others said, I think it's a fair question. 112Ĭontrolling Various Instances with Different Controllers. 110ĭifferences between Stand-Alone and Plug-in Mode. Navigating the Software Using the Controller. 96Įxtended Navigate Mode on Your Controller. Navigating Channel Properties, Plug-ins, and Parameter Pages in the Control Area. Switching Between the Master, Group, and Sound Level. Switching between Ideas View and Song View. 36Ĭontrolling the Software Views from Your Controller. SHENZHEN NATIVE INSTRUMENTS COMPANY Limitedġ11 Taizi Road, Nanshan District, Shenzhen, Special thanks to the Beta Test Team, who were invaluable not just in tracking down bugs, but Use of them does not imply any affiliation with or endorsement by them.ĭocument authored by: David Gover and Nico Sidi. “Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Instruments GmbH.ĪSIO, VST, HALion and Cubase are registered trademarks of Steinberg Media TechnologiesĪll other product and company names are trademarks™ or registered® trademarks of their respective holders. Without prior written permission by Native Instruments GmbH, hereinafter referred to as Native Publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, The software described by this document is subject to a License Agreement and may not be copied to other media. The information in this document is subject to change without notice and does not represent aĬommitment on the part of Native Instruments GmbH.
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